2025-2026

PORTFOLIO

MA Sculpture Royal College of Art康淑棋 | SHUQI KANG

Artist website

康淑棋 | Shuqi Kang

Selected Works

Works are arranged as a simple index. Each title opens its section below.

| Final installation

Something Passed, Something Remained

Year
2026
Materials
Xuan paper body casts, ceramic, hammered aluminium, brass wire

A site-responsive installation considering how pressure, pain, memory and emotion pass through the body while leaving residues behind.

Installation view of Something Passed, Something Remained.
Something Passed, Something Remained, 2026

| Process study

Body Casting Experiment

Year
2026
Materials
Xuan paper and handmade flour paste

An early casting test using the body's central line as a fragile trace rather than a complete portrait.

A Xuan paper body cast installed in a window.
Body Casting Experiment, 2026

| Material study

Genealogy I / Genealogy II

Year
2026
Materials
Jujube seeds, metal, thread, found materials

A continuation of research into jujube seeds as forms that shift between family, origin, body, wound and container.

Wall installation with jujube seed forms and hanging elements.
Genealogy I / Genealogy II, 2026

| Material research

Ceramic and Aluminium Studies

Year
2026
Materials
Ceramic, hammered aluminium, jujube seeds

Material tests where seed-like forms move between sediment, protection, sharpness and bodily residue.

Hammered aluminium forms on a workshop surface.
Ceramic and Aluminium Studies, 2026

Artist Statement

Something Passed, Something Remained is an installation composed of Xuan paper body casts, ceramic forms, hammered aluminium pieces and brass wire. Using my ongoing research into jujube seeds, I examine the feminine body and women's lived experience.

I imagine the body as something like a river. Pressure, pain, memory and emotion pass through it, but they do not disappear completely. Some things are carried away, while others settle like deposits in a riverbed.

My practice moves through casting, hanging, firing and assembling to ask how fragile structures can hold what remains. Materials appear as traces: paper as skin, ceramic as sediment, aluminium as both protection and threat, brass wire as quiet connection.

Ceramic forms arranged on a floor.

Experience